ASIA
AS IT WAS
After years of isolation, Laos begins to share its
treasures with the world
By Larry
Bleiberg
Assistant Travel Editor of The Dallas Morning News
LUANG PRABANG,
Laos - Morning rush hour comes in a silent, orange blur.
On a street by the Mekong River, monks clad in saffron
robes march in single file. Holding bowls, the men and teenagers
with shaved heads pause in front of kneeling women, who contribute
a pinch of cooked rice to each.
The ritual is a form of charity, a symbolic offering
to Buddha that also feeds the monks. This morning, it's a
spiritual act for all except the last monk in line. Just a
child, he glances at his small audience of visitors and drops
his bowl to the ground. The clang rattles through the air,
and like a little angel who has lost his halo, the boy grins
and rushes to retrieve it.
The dawn procession has changed little since it was
witnessed 140 years ago by the first Western visitors to this
lush, temple-filled city. But now Laos, as with the little
monk, is stepping awkwardly into the future. The country remains
a quiet, dreamy place that seems caught out of time.
Laos is a land the size of Great Britain that has
only nine traffic lights. It's a swath of tropical wilderness
punctuated by golden temples. The atmosphere is even more
astonishing when you consider this about Laos : It's the most
bombed nation on earth. And one of the poorest.
Since Communists took over in 1975, Laos has been
mostly off-limits. The country first opened to tourists in
1989, and two years ago fewer than 20,000 Westerners visited.
But now the nation is easing tourist restrictions and completing
a new Japanese-financed airport terminal for the capital.
In July, it joined the Association of Southeast Asian Nations,
and giant construction projects are planned.
In the meantime, a visit to Laos is time travel .
While its neighbors - China, Vietnam and Thailand - bustle
into the millennium with high-rises and traffic jams, Laos
is still the Asia of a half century ago.
The former kingdom - once known as the Land of a Million
Elephants, now the Lao People's Democratic Republic - is a
quirky, forgotten place. That becomes clear at the currency
exchange when visitors enter the country.
The largest Laotian bill is a 1,000-kip note, recently
worth about 55 cents. Change a $50 traveler's check and you'll
get a wad of bills several inches thick. Change a few hundred
dollars and you'll need a shopping bag to carry your cash.
Even the country's symbol, an Asianized version of
the Arc de Triomphe, shows how Laos can turn the familiar
on its head. The concrete structure is the focal point of
Vientiane, the country's capital. Decorated with Buddhist
bas-reliefs and mythical figures that are half female and
half bird, the piece is sometimes called the Victory Gate.
It's an ironic title for a nation that hasn't won many wars.
As a landlocked crossroads with ambitious neighbors, Laos
has had uneasy relationships with foreign powers. But the
monument does show how the country handles suitors. The structure
is also called the Vertical Runway, because it was completed
with diverted U.S. concrete, supplied as military aid to upgrade
the city's airport.
It's possible to climb the monument for a view of
Vientiane, a city of 450,000 - about the size of metropolitan
Wichita, Kan. On a late afternoon, traffic is an occasional
trickle with more bicycles and motor scooters than cars and
trucks. Girls pedal bikes and hold parasols overhead. Families
of three or four pile on a single motor scooter. There's also
a view of the city's temples. One, Pha That Luang, is the
nation's symbol and most revered Buddhist monument.
This golden pyramid, or stupa, dates at least 400
years and is said to resemble a giant lotus bud. On this afternoon,
it's a shining vision, a 150-foot marker surrounded by tiers
of walls topped with lotus-leaf designs. It's all set off
in a compound of bright-green grass. When two orange-robed
monks pass by, the whole scene gleams with Technicolor brilliance.
The monks are as shy as their surroundings are bright. Speaking
in a voice as soft as poetry, one young monk asks where I'm
from. He's eager to practice his English and hear about cities
on the other side of the world.
Later I encounter other teenagers, who wear jeans
and shirts with faux designer labels. I meet them in Buddha
Park, about 15 miles east of Vientiane. The park was built
by an eccentric monk with a sense of the dramatic: The feel
is roadside kitsch meets Zen Buddhism. Poised on the edge
of the Mekong, the park is filled with hundreds of concrete
statues depicting Hindu and Buddhist gods. But there also
are giant crocodiles and a multi-story pumpkin-shaped ball
meant to represent various levels of heaven and hell. We climb
through the structure and sit on top. The afternoon is hot,
and as sweat pours from my face, one of the teenagers offers
a tissue and begins to speak.
I answer, and when his friends realize that schoolbook
English really works, they giggle. I tell them about my family
and the United States. One says he wants to visit. They were
born years after the Vietnam War, but even among the adults
- those who saw villages destroyed and tribes uprooted - there
isn't a hint of anger.
LEGACY OF WAR
The full effect of the war is most visible on the
eastern frontier. For nine years, the U.S. spent $2 million
a day dropping bombs on Laos . On average, there was a bombing
run every eight minutes - more explosives than dropped by
all nations during World War II. At the same time, the area
was overrun by North Vietnamese soldiers, committing their
share of atrocities.
The main battleground was an area called the Plain
of Jars, an archaeological curiosity that's the only obvious
reason to visit this part of the country. The 2,000-year-old
jars are just that: giant stone urns that lie scattered over
the ground in several sites. Researchers can't agree on their
purpose or origin. One theory is that the plain was nothing
more than a giant distillery. The jars, it goes, were used
to make vast quantities of rice wine to celebrate a military
victory. Others claim the jars are really urns, noting that
bones have been found in a few.
Wandering the plain, I find it hard to imagine the
people who created these odd containers. The landscape rolls
like a golf course and, because it's at a higher elevation,
is blessedly cool in comparison to the Mekong delta. But the
view is marred by an adjacent military airfield and the bomb
craters that litter the land. The bombing was meant to stop
traffic on the Ho Chi Minh Trail, North Vietnam's supply line,
which passed through Laos . The foot soldiers were CIA-trained
men and boys, who came from tribes so primitive that when
they first saw planes some are said to have looked underneath
them to determine their sex. Laos was supposed to be neutral,
so the fighting was kept secret from the world. But as the
Vietnam War continued, U.S. involvement in Laos mushroomed.
American fighters were technically civilians. Many pilots
went through the motions of resigning from the military. Some
even participated in the charade of purchasing their bombers
for $1 apiece as government surplus. It was a surreal battleground
with combatants dressed in cutoffs and cowboy hats. Fighters
once dropped bags of Calgon dishwashing soap with the hope
of making trails too slippery to use. Another time, they tried
to unsettle Communist-held villages by blasting them in the
middle of the night with recordings of Wagner.
And through it all, there was terrible destruction.
Decades later, the war hasn't gone away: About once
a month, a villager, usually a child, discovers an explosive.
Death or maiming is the usual result. I examine one of the
devices - a bombie, as it's called. It's for sale for $6 in
a display case in the wind-swept town of Phonsavanh. The defused
explosive is the size of a tennis ball with fins on the side,
and it looks like a shiny brass toy. I pick up the device
and feel its weight in my hand. I unscrew it and the pieces
separate with machine-tooled ease. Similar devices were once
packed in clusters of 650 and dropped from a jet. Each bombie
was supposed to explode on impact.
The one I hold didn't.
I consider buying it, a deadly souvenir from a beautiful
country. But I put it down. The war had awful consequences
for so many people - both in Laos and the United States. Best
not to bring the bombs home again.
That afternoon, my small tour group travels along
Highway 7, a somewhat paved road leading to Vietnam. The area
is so remote that scientists are still discovering new species
- in recent years an ox, a wild pig and a small barking deer.
About 55 miles from the border, we stop at a settlement
with numerous chickens and even more children. We take a scenic
2-mile hike to a Hmong village, Ban Na Sala. Our guide for
the day points to an opium plant on the side of the path.
He is a handsome, friendly man, eager to please visitors.
He was born in a cave and spent his first few years of life
there, living in stone-age shelter to escape jet-age destruction.
In Ban Na Sala, we find a scene out of National Geographic:
dirt roads, thatched huts and lush banana trees. There's no
electricity or sanitation system. But the most astonishing
thing about the village of 600 is the U.S. presence. War scrap,
like deadly manna from heaven, has become a building material
here. Bomb casings lie in dust, reborn as troughs for water
buffalo. Others are elevated on stakes as small planters.
One pasture is closed off with a half-dozen missiles grouped
together nose first in the ground. A stenciled English message
from the factory gives the pedigree of one. The Cycloto L
bomb was packed in March 1971. Weight: 122 pounds. As we leave,
a group of boys follows and calls to our guide: "We are
following the giants." Only then do I realize how I tower
over most everyone in this country.
Whether due to genetic stock or nutrition, in this
land of wonders I'm a wonder myself.
Back at the road, the village children have discovered
yet another wonder. Dozens stand on a dirt embankment next
to our bus, gaping at the Thai movie our driver has popped
in the coach's VCR. Like a Mississippi River showboat, our
bus has become the village's temporary theater. Watching through
the windows, the audience is transfixed, with faces lighted
by the flickering screen.
SMOOTH SAILING
Except for the hardiest of travelers, moving around
Laos is usually done by air on Lao Aviation. The national
carrier, partially owned by China's Yunnan Airlines, is said
to meet international standards. On my first flight from Vientiane
to Luang Prabang, I'm comforted that my boarding pass is sponsored
by Pepsi. If commercialism has reached this communist industry,
so must have flight mechanics. Sitting next to me is a U.S.
man who has piloted planes for more than 40 years. He assures
me the pilot makes this run several times a day. When we begin
to descend through cloud cover over mountains, my seatmate
doesn't blink. We land without incident. And only when I'm
leaving the plane am I conscious of a squeaking that has accompanied
the entire flight. I peer behind a curtain and discover the
source: boxes full of live chicken hatchlings.
In Luang Prabang, we're greeted with a new airport,
built with aid from Thailand. It looks vaguely like a Buddhist
temple. As we step into the lobby, Asian music plays soothingly
in the background.
But Luang Prabang needs no soundtrack. Two years ago,
UNESCO declared the entire town of maybe 20,000 a World Heritage
Site, calling it one of the best preserved cities in southeast
Asia. Its dozens of temples show Portuguese, French and Asian
influences. They're uniquely styled with long sloping roofs
that almost touch the ground.
Even as travelers on a whirlwind tour, we can sense
the city's languid charm. Our hotel, the Villa Santi, is a
French Colonial mansion that once belonged to a Laotian princess.
In the evening we dine on the front terrace. The night is
silent and nothing stirs except for children playing in the
street, and tiny lizards crawling along the ceiling.
BEAUTIFUL BACKWATER
For centuries, Luang Prabang served as the kingdom's
royal capital. That changed after communists took over Laos
in 1975. The royal family was sent to a re-education camp
and never seen again. The king, queen and prince are believed
to have died as prisoners in a cave.
Still, in relative terms, Laotian communists have
been moderate. The country never had the mass purges of Stalin
or Pol Pot, although the Hmong, onetime U.S. allies, suffered
under the new regime.
In the mid-1980s, leaders began economic reforms and
courted Western investors. Now there's talk of building roads
and railroads through Laos , missing pieces in a continental
transportation system that would link Singapore with Beijing.
Some plans have this inter-Asian highway passing through Luang
Prabang, forever changing the character of this beautiful
backwater. Until then, visitors pretty much have the town
to themselves.
For many, the first stop is the formal royal palace,
now a national museum. Visitors see a replica of a gold Buddha.
It's a gift to Laos that marked the start of Buddhism in the
country. The statue, known as a pra bang, was so important
that it gave Luang Prabang its name.
There's also an ornate reception room and glorious
glass mosaics depicting scenes from Laotian life. But the
feeling here is sadness, not glory. Rooms are filled with
present from other nations. A moon rock from Richard Nixon
is on display, along with a pearl-inlay rifle from Leonid
Brezhnev and friendship flags from China and Vietnam - all
gifts that came with strings attached.
Among the few excursions from Luang Prabang are villages
where textiles, rice wine, metal tools and paper are made
by hand. The most popular trip out of the city is to the Pak
Ou Buddha caves, a 90-minute boat ride up the swift-flowing
Mekong River.
Late in the morning we climb aboard a long skinny
boat powered by a car engine. As we chug up the muddy river,
children wave from the shore and dive into the water. Farmers
tend fields and thick clumps of bamboo dot the shoreline.
The caves are the closest the country has to a bona-fide
tourist attraction. A few faded signs, funded by an Australian
grant, help interpret the site. A lower cave is self-explanatory:
an opening in the river bank filled with Buddhas that tier
into the back recesses. The upper cave is another experience.
Greeting us at the top of a long stairway is a watchman. He
leads us into the darkness. A musty smell mixed with incense
fills the air. Then, a match flashes and he begins to light
candles. Thousands of Buddhas of all sizes emerge from the
inky blackness. The floor is uneven and it's easy to stumble.
The watchman mumbles - whether in prayer, warning or explanation,
it's not clear - and then walks farther into the cave. The
entrance is now a dim light behind us, and he steers us into
a back cavern where more Buddhas await. When we return to
the river, we're jolted back to the modern world by a woman
selling Pepsi. Near her, a shoeless man uses toes and fingers
to mend a fishing net, assuring us it's not the modern world
we left at home.
OUT FROM THE SHADOWS
Back in Luang Prabang, I leave the boat and follow
steps to Wat Xieng Thong (the Golden City Temple). The wat,
or temple complex, is the city's largest and best preserved.
With its sweeping roofs, golden carved doors and bright-red
tile surfaces, it feels like the setting for a fairy tale.
The most ornate building is a garage. It holds the 40-foot-tall,
rubber-wheeled gold chariot that carried the body of a former
king. His 1959 funeral was delayed for months until astrologers
deemed the stars favorable. Then, a crowd of thousands packed
a soccer stadium and watched as their ruler's body went up
in flames, freeing his soul for reincarnation. Now, the afternoon
sun is low and the buildings glitter. The wat is largely deserted
except for a little boy who watches me. He begins to play
a silent game of peekaboo, ducking behind walls and temples,
then appearing a few feet away. I wave to him and smile, but
the boy remains in the shadows. A moment later, he disappears.
Like his country, the child is curious about the outside
world. But for now at least, he's still keeping his distance.
Date:12/21/97
Paper:THE DALLAS MORNING NEWS
Section:TRAVEL
Edition:HOME FINAL
Larry Bleiberg
Assistant Travel Editor
Dallas Morning News/Travel
email: Lbleiberg@dallasnews.com